Sounds of a Southern Christmas

A cornucopia of Southern artists and musical styles:
Shaped Note
Slave Shout
Appalachian Ballad
Urban a cappella
Cajun
Negro Spiritual
String Band

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Sounds of a Southern Christmas
features the following artists and songs:

Sand Mountain Sacred Harp performs a song from the "shaped note" or "sacred harp" tradition. This is an a cappella style using four-part harmony, devised in the 1800s as a simplified way of teaching music. Sacred Harp singing was widely practiced throughout the U.S. until the early part of this century. Today, this group from northeast Alabama is one of just a handful nationwide who continue to make this tradition a part of their religious observance. Here they perform "Sherburne," based on the Biblical description of angels announcing Jesus' birth to a group of shepherds. Southern folk art depicting this Biblical event, and unusual non-commercial Christmas light displays, punctuate the verses of this song.

"Watch That Star" is a traditional "slave shout" performed by The McIntosh County Shouters of coastal Georgia. The oldest surviving African American performance tradition in the United States, slave shouts combine a call-and-response style of singing with dance-like movements, and were once a joyous way of celebrating the Christmas and New Year holidays in many black churches. Today, this unique expression is practiced only by the McIntosh County Shouters.

"The Cherry Tree Carol" is an ancient English ballad which was transplanted to the Appalachian Mountains with some of the earliest white settlers, who sang and reworked it until it became a unique product of their mountain culture. It is performed here by Sheila Kay Adams, a seventh generation Appalachian ballad singer from Mars Hill, North Carolina. The song describes nature's cooperation in the Divine plan for Jesus' birth, and is intercut with Southern winter landscapes and home-made, nature-inspired holiday decorations.

In downtown Atlanta, a young a cappella trio called Crossover subdues the traffic noise and urban bustle with their own arrangement of "Silent Night."

Balfa Toujours brings a Cajun sound to the holidays with an original composition, "Le Plus Grand Cadeau" (The Greatest Gift), performed with traditional instrumentation. This band, from Lafayette, Louisiana, includes the daughters of the seminal Cajun musician, Dewey Balfa.

The Spiritual, "Sweet Little Jesus Boy," is given a melting rendition by Carla Isaac. This young native of South Carolina has been singing as a soloist with the renowned Stillman College Choir for nearly four years, and seems destined for a professional musical career.

Jerry and Tammy Sullivan and friends close the program with their own rousing arrangements of two traditional songs. "Children Go Where I Send Thee" is a cumulative song (like the Twelve Days of Christmas) which they perform a cappella. "Away in a Manger" features Tammy's powerful vocals along with string-band instrumentation. The Sullivans come from a long tradition of string-band musicians in rural Washington County Alabama, and now regularly bring their gospel-country music to the Grand Old Opry stage.

This program was produced by Carolyn Hales (chales@cpt.ua.edu) for The Alabama Experience series. Program length: 30 minutes.

Tapes of this program are available for $21.00 each. To order using Visa, MasterCard or Discover, call: 1-800-463-8825
(Monday - Friday, 8:00 a.m. to 5:00 p.m., Central)

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The Alabama Experience
Thursdays at 8:00 and Sundays at 1:30 on Alabama Public Television

For more information call 1-800-463-8825 or write:
The University of Alabama Center for Public Television & Radio
P.O. Box 870150 Tuscaloosa, Alabama 35487-0150

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The University of Alabama Center for Public Television & Radio

For more information:
info@cpt.ua.edu